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	<title>Comments for roamingfree</title>
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	<link>http://www.roamingfree.com.au/blog</link>
	<description>Celtic Fiddling Blog by Colin MacLeod</description>
	<lastBuildDate>Thu, 29 Sep 2011 10:29:18 +0000</lastBuildDate>
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		<title>Comment on What sound do you look for in a violin ? by Colin MacLeod</title>
		<link>http://www.roamingfree.com.au/blog/?p=116#comment-15</link>
		<dc:creator>Colin MacLeod</dc:creator>
		<pubDate>Thu, 29 Sep 2011 10:29:18 +0000</pubDate>
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		<description><![CDATA[Hi Frank

Thank you for your comment.

When playing for singers, whilst the singer is singing, I try and sensitively play some accompanying notes or chords to the song.

The accompaniment may be influenced by the key of the song e.g. D Major, the chords which are being played by other instruments or I may just play a rhythm based on chords.

One can also vary the level of sound i.e. sometimes play softly and sometimes play loudly.

There are also the options of not playing at all for a spell in the song or playing a melody solo between verses.

Alternatively, if the melody for the song has a hook phrase (a phrase which repeats itself a few times during the song) then this could form the basis of an instrument solo at selective places in the piece.]]></description>
		<content:encoded><![CDATA[<p>Hi Frank</p>
<p>Thank you for your comment.</p>
<p>When playing for singers, whilst the singer is singing, I try and sensitively play some accompanying notes or chords to the song.</p>
<p>The accompaniment may be influenced by the key of the song e.g. D Major, the chords which are being played by other instruments or I may just play a rhythm based on chords.</p>
<p>One can also vary the level of sound i.e. sometimes play softly and sometimes play loudly.</p>
<p>There are also the options of not playing at all for a spell in the song or playing a melody solo between verses.</p>
<p>Alternatively, if the melody for the song has a hook phrase (a phrase which repeats itself a few times during the song) then this could form the basis of an instrument solo at selective places in the piece.</p>
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		<title>Comment on What sound do you look for in a violin ? by Frederick C Maynard</title>
		<link>http://www.roamingfree.com.au/blog/?p=116#comment-14</link>
		<dc:creator>Frederick C Maynard</dc:creator>
		<pubDate>Tue, 27 Sep 2011 21:30:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.roamingfree.com.au/blog/?p=116#comment-14</guid>
		<description><![CDATA[I am interested in your blog about playing for singers,do you play  the melody while the singer is singing   or do you play chords or accompanying  notes that relate to the tune.
I like to play the melody because I play by ear and can&#039;t think fast enuff to play an acceptable sound to match the  given melody. I have never heard anybody play only the melody whilst the song is being sung.]]></description>
		<content:encoded><![CDATA[<p>I am interested in your blog about playing for singers,do you play  the melody while the singer is singing   or do you play chords or accompanying  notes that relate to the tune.<br />
I like to play the melody because I play by ear and can&#8217;t think fast enuff to play an acceptable sound to match the  given melody. I have never heard anybody play only the melody whilst the song is being sung.</p>
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		<title>Comment on Playing Music by Ear by Colin MacLeod</title>
		<link>http://www.roamingfree.com.au/blog/?p=7#comment-6</link>
		<dc:creator>Colin MacLeod</dc:creator>
		<pubDate>Sun, 13 Mar 2011 23:08:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.roamingfree.com.au/blog/?p=7#comment-6</guid>
		<description><![CDATA[I think it is indeed a very helpful tool. Once the tune is slowed down, it is possible to hear the nuances of the tune. This is particularly useful in hearing how a player decorates a tune. The ideas of then how to decorate a tune start to flow, sometimes in large waves!]]></description>
		<content:encoded><![CDATA[<p>I think it is indeed a very helpful tool. Once the tune is slowed down, it is possible to hear the nuances of the tune. This is particularly useful in hearing how a player decorates a tune. The ideas of then how to decorate a tune start to flow, sometimes in large waves!</p>
]]></content:encoded>
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		<title>Comment on Playing Music by Ear by Olivia Forsberg</title>
		<link>http://www.roamingfree.com.au/blog/?p=7#comment-3</link>
		<dc:creator>Olivia Forsberg</dc:creator>
		<pubDate>Thu, 10 Mar 2011 04:45:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.roamingfree.com.au/blog/?p=7#comment-3</guid>
		<description><![CDATA[The best way I have found is to use a program such as &#039;The Amazing Slow Downer&quot;. You can get a recording of the piece you are learning and slow it down to any speed without the pitch being affected. A very helpful tool!]]></description>
		<content:encoded><![CDATA[<p>The best way I have found is to use a program such as &#8216;The Amazing Slow Downer&#8221;. You can get a recording of the piece you are learning and slow it down to any speed without the pitch being affected. A very helpful tool!</p>
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